by Crows Labyrinth

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Crows Labyrinth returns with a new EP, this year's second release. The three tracks span nearly 20 minutes and should please anyone that loves improvised fretless bass playing in an ambient setting.

This EP covers the lighter, more melodic aspect of Crows Labyrinth's musical output. If you liked the last two tracks of his debut album "Travels", then you'll be in for a treat.

The first track, "Consolation", was recorded in the week when an uncle passed away a few months ago. "I can hear the state of mind that I had during that period when I listen it back," reflects Theo. "The track is dedicated to him, and to everyone that has lost a loved one."

"Stateless" is a more abstract piece of layered improvised bass loops that ease in and out of existence. The EP ends with "Responder". This track could already be heard on Soundcloud, but is now finally mastered and officially available.

Crows Labyrinth is inspired by many artists. These names are a small selection: Brian Eno, Robert Fripp, Tangerine Dream, Steven Wilson (with his Bass Communion and I.E.M. projects), Tom Heasley, Loscil, Clem Leek.

This album may also be interesting for fans of Atrium Carceri, Raison d'Être, Lustmord and Biosphere.

Track 1 and 3 were recorded live in one take, without additional editing or overdubs.

Did you like this release? Then make sure to check out the "Travels" album:

No synthesizers were harmed while creating this release.


released May 14, 2016

All tracks played and recorded by Theo Tol.
Production, sound design and compositions by Theo Tol.
Mastering by Arian Prins at Hydra Music Studio.
Artwork by Brian Watson of Plan A art:

For updates on Crows Labyrinth, check one of the following sites:
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To contact Crows Labyrinth, send an email to:
crowslabyrinth (at) gmail (dot) com



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Crows Labyrinth The Netherlands

Crows Labyrinth is an ambient project, conceived by Theo Tol from the Netherlands. The aim of the project is to create ambient cinematic soundscapes using solely bass guitars and effects processing. The soundscapes preferably have to be created in one take, one improvisation, one flow of sound. ... more

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